It is the rare review that begins with such exuberant praise as “the most dazzling, most unsettling, most oh-my-God-listen-up novel you’ll read,” but that is the beginning of Ron Charles’s rave in yesterday’s Washington Post for T. Geronimo Johnson’s Welcome to Braggsville (HaperCollins/Morrow, Feb. 17; OverDrive Sample), a novel Charles goes on to claim will “shock and disturb” even as Johnson’s “narration has such athleticism that you feel energized just running alongside him — or even several strides behind.”
David L. Ulin of the LA Times shares Charles’s enthusiasm, opening his review with “when was the last time you were shocked by a turn in a novel? Not merely surprised or astonished but actually stunned?” and goes on to call Johnson’s novel “audacious, unpredictable, exuberant and even tragic, in the most classic meaning of the word.”
Welcome to Braggsville is an IndieNext pick for February, with the following recommendation,
“In Welcome to Braggsville, Johnson explores cultural, social, and regional diversity in a world increasingly driven by social media. His satirical and ironic style portrays a UC Berkeley — ‘Berzerkeley’ — student from Georgia who, along with his friends, goes back to his hometown to challenge an annual Southern tradition and inadvertently sets off a chain of events resulting in tragic consequences. Johnson’s creative language play envelops the reader in the Deep South with the impact of a razor-sharp Lynyrd Skynyrd riff.”
Johnson has jumped from a literary nonprofit publisher (Coffee House Press) to HarperCollins with his second novel (after his debut Hold It ‘Til It Hurts, which was a finalist for the 2013 PEN/Faulkner Award). For your readers willing to be challenged, lift some quotes from Charles’s review, which also makes it sound like a strong book club candidate.