Votes for the September list are due soon, by midnight this Friday, July 20th.
As you get ready to vote, check out the September titles from our recent GalleyChats on this downloadable spreadsheet, Sept. titles, GalleChat picks. We’ve included information on which are available as DRCs as well as the most significant comments from the chats
As we note, several of the titles were discussed at the HarperCollins ALA Buzz session in New Orleans. If you missed it, attend virtually here,
Join us for the next GalleyChat on Tues., August 7, 4 to 5 pm ET (3:30 for virtual cocktails) and don’t forget YA/MG GalleyChat, this coming Monday, July 17, 2:30 to 3:30. Details on each here. Bring a friend!
Thanks to all of you who made Fruit of the Drunken Tree, by Ingrid Rojas Contreras, (PRH/Random House/Doubleday) a LibraryReads pick. This debut about two young Colombian girls, close friends from very different backgrounds, shows how political upheaval dramatically changes lives. The characters of the two girls are so clearly defined that you continue to wonder how thier lives evolved long after finishing the book.
We love when the list brings us such discvoeries. Please do it again. For this Fourth of July holiday, check our recently updated list of upcomg Diversity Titles for LibraryReads Consideration. download the DRC’s for those that interest you (the Notes section gives background on each title), read them and vote for your favorites.
From the September list (votes due by July 20) we recommend Esi Edugyan’s Washington Black, (PRH/Knopf), about a young Barbados slave named ironically for the first US president. A sympathetic while man discovers that Wash has talents useful to him in scientific studies and brings him to the Arctic. Ghanian-Canadian author Edugyan, the first Black woman to win Canada’s Scotiabank Giller Prize, describes the Arctic cold so vividly that you may find yourself shivering.
If the heat makes you want to reach for something on the ligher side, try GalleyChat favorite, The Proposal by Jasmine Guillory, (PRH/Berkley; the author was featured in NPR’s recent story, “Beach Reads by Authors of Color.” This is an October title) or Ian Smith’s twisty Harvard-set mystery, The Ancient Nine. (Macmillan/St. Martin’s).
Just in time to load your reading devices for the weekend, the July LibraryRead list has arrived. All titles are available as DRCs on Edelweiss or on NetGalley (see notes on our spreadsheet, LibraryReads, July).
The list’s debut titles were GalleyChat favorites:
The Irish Times calls it “Bridget Jones of the Blitz: AJ Pearce’s happy war story.” On GalleyChat, it was described as, “Historical fiction that’s charming and fun and easy to recommend” and “perfect for fans of Guernsey Literary & Potato Peel Pie Society.“ The author is profiled in the Guardian‘s “Meet the new faces of fiction for 2018.”
GalleyChatters call this story of a little girl who wants to kill her mother “creepy” and “memorable.” Kaite Stover may have come up with the ultimate description, “think Children of the Artisinal Organically-Farmed Corn.”
The author was featured on Library Jounal’s April cover and on the Book Expo Thriller Panel, but as she describes on her blog, she nearly gave up her dreams of becoming an author. Until she becomes a household name, Macmillan Library Marketing tells us her first name is pronounced “Zoh-yeh” not “Zoh-gee.”
Note the cover’s clever variation on the “exploding flower” image used on Liane Moriarty’s The Husband’s Secret. (another variation is the “spontaneously combusting flower” on Meg Abbot’s Give Me Your Hand, also on this month’s LibraryReads list).
Debut. NY magazine’s Vulture writes in 18 Books We Can’t Wait to Read This Summer, “this phenomenal debut explores what happens when we make any number of decisions by rote and fail to see or question the bigger picture.” Adds BuzzFeed in “30 Summer Books To Get Excited About, “Ma’s language does so much in this book, and its precision, its purposeful specificity, implicates an entire generation.”
Debut. Entertainment Weekly, 7 inclusive novels that will make you think, “follows the lives of four friends as they drift apart and come back together, navigating adulthood as black men living with traumatic legacies who have been offered very different fortunes as they come of age. Holmes’ searing study in masculinity is offset by irresistible heart and biting humor. ”
Philadelphia Inquirer, Summer books, “A tale set in Ghana, where a girl is given up by her family, endures a very hard life, and, once set free, must find a way to heal and live forward.” McFadden is the author of 8 books, her previous, The Book Of Harlan, won the 2017 American Book Award, the NAACP Image Award for Outstanding Literary Work (Fiction) and was named a Washington Post Notable Book of 2016.
Praise Song for Butterflies is also mentioned in the new issue of Vanity Fair, which debuts a real books section, replacing the old Hot Type column, with its dizzying run-on list of titles. The welcome change is no surprise. The magazine’s new editor, Radhika Jones, was formerly at the NYT Book Review. Featured in the new issue’s book section is a profile of the owners of the “Trailblazing Black-Owned Bookstore,” D.C.’s Mahogany. Their favorite upcoming title is McFadden’s.
Philadelphia Inquirer, Summer books, — “The long friendship between Dores and Graça is forged through music. Based partly on the life of Carmen Miranda, this novel takes us from 1920 Brazilian sugar plantations to the urban samba scene of the 1930s.” Previous title, The Seamstress.
Asghar, Fatimah, If They Come for Us, (PRH/Random House/One World, August). Pbk. Original; DRC, Edelweiss and NetGalley
The Philadelphia Inquirer notes, “Asghar, co-creator of the web/HBO series Brown Girls, writes through the eyes of a Pakistani woman who comes to America and discovers a very strange country indeed.”
Last week, GalleyChatting librarians tipped their favorite upcoming titles during the #ewgc chat. Scroll through the tweets to sit in on a great RA discussion. Speaking of great RA conversations, GalleyChatter Robin Beerbower has started a blog. Her newest post, “Sandy Covers,” highlights her favorite new Beach Reads, and, for upcoming titles, also gives “while you wait” suggestions.
All 192 of the GalleyChat titles are listed in the following:
— GalleyChat Titles, June 2018— Downloadable spreadsheet, for ordering purposes. We didn’t include the tweets this time. If you want to know more about a particular title, search it along with #ewgc on Twitter.
Join us for the next GalleyChat on Tues., July 10, 4 to 5 pm ET (3:30 for virtual cocktails) and don’t forget YA/MG GalleyChat this coming Thurs., June 14th, 2:30 to 3:30. Details on each here. Bring a friend!
Notes from June’s GalleyChat:
— Patterson and Clinton may be getting attention for The President Is Missing, but GalleyChatters say you should keep your eye out for Hope Never Dies: An Obama Biden Mystery by Andrew Shaffer, coming in July from the well-named publishing house, Quirk Books.
— GalleyChatters are stalking advance readers copies of the recently announced new Liane Moriarty title, Nine Perfect Strangers, to be published in November. No news yet on when ARC’s will be availble, but the following much-stalked titles appeared recently:
— Excitement continues for The Silent Patient by screenwriter Alex Michaelides. It’s being compared to a previous GalleyChat favorite, Woman In The Window, and, like that book, this debut is building buzz months ahead of its February pub. date. GalleyChatters are already casting the movie and, given the author’s film industry connections, it would not be surprising if it goes that route. The DRC is on NetGalley.
— Another debut that has been getting GalleyChat attention for months is Vox by Christina Dalcher, coming in August. Gregg Winsor tweeted his Book Expo Shout ‘n’ Share recommendation, “A near-future dystopia where women are limited to speaking just 100 words. The comparisons to THE HANDSMAID’S TALE are very much accurate and – pardon the pun – this will give your book club tons to talk about.”
The book’s author, Christina Dalcher joined the chat to make her own recommendation, saying she “just devoured Elliot Ackerman’s Waiting for Eden, after meeting him at the PRH breakfast. Can’t stop thinking about this one.” That comment was echoed by other Chatters.
Before She Sleeps, Bina Shah — Add this to the list of titles being compared to The Handmaid’s Tale, a growing category dubbed by “womb dystopia” by some. GalleyChatter Susan Maguire tweeted. “… just in case anyone has patrons who liked THE HANDMAID’S TALE, there’s BEFORE SHE SLEEPS by Bina Shah that is the feminist dystopia we don’t deserve, but it is also the feminist dystopia we are going to get.” “PW calls it a “haunting dystopian thriller from Pakistani author Shah”
Temper, Nicky Drayden — Jenna Friebel, “Do y’all remember how much I raved about her debut, The Prey of Gods? This one is just as inventive.”
A River of Stars, Vanessa Hua — GalleyChat, “about a Chinese woman who makes her way to California to give her baby U.S. citizenship, blurbed by Celeste Ng” — “Vanessa Hua’s debut is an utterly absorbing novel.” — LJ PrePub Alert, “A columnist for the San Francisco Chronicle and author of the glowingly reviewed small-press debut collection DECEIT AND OTHER POSSIBILITIES, Hua claims multiple awards …”
Hollywood Ending, Kellye Garrett, DRC available on Netgalley — GalleyChat, “Dayna Anderson uses her connections as a former actress to solve a murder in HOLLYWOOD ENDING by @kellyekell. Smart, sassy mystery that keeps you guessing to the end”. — “This series is so fun! A great take on the LA noir tone.” — It’s the second in a mystery series featuring an African/American female detective. The first, Hollywood Homicide just won an Anthony and a Lefty
As you load up your book bags and reading devices for the holiday weekend, remember this also a good time to explore titles to nominate for LibraryReads.
My own resolution is to read upcoming books that fall under the awkward and difficult-to-define term “diversity.” I want to hear new voices and read about cultures I’m not familiar with. As a resource, we’ve created EarlyWord “Diverse Titles for LibraryReads Consideration,” drawn from several sources, including GalleyChats and titles being featured at the upcoming Book Expo and ALA Annual.
We’ve included notes to help you find titles you may want to try. Below are some I’ve loaded onto my Nook (or will, as soon as I get around the pesky authentication issue):
This will definitely take me outside of my own reading predilections. It’s a book-length poem, something I wouldn’t read unless I was led to it, which Jennifer Egan did by picking it as a book she is excited about in an interview with New York.
As one of the few librarians who is not a fan of Jane Austen (sorry, so many shameful admissions in a single post), a book based on Pride and Prejudice would not grab me. This one is different, however. The story of a black family dealing with gentrification in present day Brooklyn, the opening line sells it, “It is a truth universally acknowledged that when white people move into a neighborhood that’s already been a little bit broken and a little bit forgotten, the first thing they want to do is clean it up.” As I sit here in Brooklyn, listening to the sounds of dozens of new buildings under construction and old ones under renovation, this appeals to me. In addition, the author’s previous book, American Street, was a 2017 National Book Award finalist in Young People’s Literature.
While I’m trying to figure out how to get DRCs on to my Nook, this serves as a partial solution because it downloads easily from the B&N site. While excerpts can be frustrating, those from short story collections are complete stories, so they are more satisfying. I was intrigued by the collection Friday Blackby a student of George Saunders, Nana Kwame Adjei-Brenyah. The title story takes the idea of Black Friday madness to a new, surreal level.
What are you reading? Have you identified any titles not on our list? Let us know in the comments section, below.
The June LibraryReads list brings some good news in terms of diversity.
Two of the titles are debuts by nonwhite writers.There There by Tommy Orange, (PRH/Knopf) is recommended for its “large cast of interwoven characters [that] depicts the experience of Native Americans living in urban settings. Perfect for readers of character-driven fiction with a strong sense of place.”
The Kiss Quotient by Helen Hoang, is a romance with an unusual twist. The main character is a woman on the autism spectrum, as is the author, and the heart-throb hero is half Vietnamese, as is the author.
…a groundbreaking novel about Native Americans who are city dwellers. But it’s not the Oakland, Calif., setting that leaps out. It’s Orange’s extraordinary ability to invest a series of interlocking character sketches with the troubled history of his displaced people.…
Getting published is an accomplishment for any first-time author, but nonwhite writers find it particularly challenging. Gabrielle Union’s memoir We’re Going to Need More Wine was on the October LibraryReads list, Despite being a well-known actress, she told the NYT that she found it difficult to navigate the publishing business as a black woman. Then she discovered that getting published was just part of the battle. Even after her book hit best seller lists, she “heard from readers that they had asked for it in certain cities, only to find it was still in stacks on the floor or in carts in the back.”
Similarly, landing on the LibraryReads list as a debut author is an accomplishment, but it only has meaning if other library staff read and recommend the titles.
Among the many discoveries, there was particular excitement about a debut not yet listed on Edelweiss,The Silent Patient by Alex. Michaelides. Just two GalleyChatters got their hands on it, but their excitement is infectious. A thriller by a British screenwriter, it is described as featuring “a successful painter who shoots the husband she loves in the head five times – and then never speaks again.” The author credits seemingly disparate influences, “his experience of working at a psychiatric unit, as well as his interest in the Greek legend of Alcestis and Agatha Christie thrillers.” It’s the first release from Macmillan’s new Celadon imprint, headed by Jamie Raab, former publisher of Hachette’s Grand Central and known for her keen eye. She will be speaking at LJ‘s Book Expo Day of Dialog. Galleys will be available there, as well as later in the Macmillan booth. It will also be available on NetGalley beginning May 15th.
Two other heavily promoted debuts getting kudos from GalleyChatters, are Vox by Christina Dalcher, August 21, called “so terrifyingly good that I can’t stop talking about it. In the future women are only allowed to speak 100 words a day! What would you be willing to do to give your daughter a future where she can speak freely?” and The Other Woman, a psychologial thriller by Sandie Jones, publishing on the same day, August 21,
GalleyChat’s own thriller maven, Robin Beerbower predicts that “the summer psych/suspense titles will be Ruth Ware’s Death Of Mrs Westaway (May 29) & Louise Cavendish’s Our House. (August 7). Ware’s book has a fabulous gothic feel & Candlish’s is a taut domestic thriller.”
There was also great curiousity about titles from known quantities, including Liane Moriarty’s as yet untitled novel, set for publication on November 6 and Kate Atkinson’s Transcription coming in September. Unfortunately, DRC’s are not yet available, but GalleyChatters will be stalking them. On the other hand, Susan Orlean’s The Library Bookabout the unsolved 1986 fire at LA Public’s central library was just released on NetGalley.
Join us for the next GalleyChat on Tues., June 5, 4 to 5 pm ET (3:30 for virtual cocktails) and don’t forget YA/MG GalleyChat, Wed., May 16th, 2:30 to 3:30. Details on each here. Bring a friend!
The news media is all over the announcement that Amy Adams will star in the film version of A.J. Finn’s best seller, The Woman in the Window (HarperCollins/Morrow, 2018). The book spent four weeks at #1 on the NYT Best Seller list, remaining in the top 5 for seven more weeks. It is curently at #9.
British director Joe Wright will head the movie. He won multiple Oscars last year, including Best Picture, for his film about Churchill’s early days as Britain’s prime minister, The Darkest Hour. Wright has had experience with book adaptations, having had success with Atonement, Pride & Prejudice and Anna Karenina. His adaptation of JM Barrie’s Pan, however, was a critical and box office flop.
Wright is also signed to direct a movie based on John Williams’s 1965 cult favorite, Stoner, (NY Review of Books) starring Casey Affleck and Tommy Lee Jones. According to reports, that film is moving toward production, so it could be at least a year before work begins on Woman.
Adams will soon be seen in another hotly anticipated thriller adaption, the HBO series based on Gillian Flynn’s debut novel, Sharp Objects (PRH/ Shaye Areheart, 2006), expected for release in July.
Reminder: Nominations are due for the June LibraryReads list in just a couple of days, by midnight, April 20th.
The just-released May LibraryReads list is remarkably homogenous. All the authors are white women, most of them have already published several books, and the majority of the titles are in the rapidly growing, some would say over-published, category of psychological suspense.
While readers advisors can happily read and recommend any of the titles, as Becky Spratford has often noted in her blog RA for All, they won’t expand readers’ horizons. She pointedly asks, “Why aren’t we all going out of way to look for titles that don’t get recognition?”
To help you do that, we’ve added “Debut” and “Diversity” columns to our spreadsheet of the nearly 200 titles mentioned during last week’s GalleyChat, GalleyChat Titles, April.
Below are are excerpts from the tweets about the June titles by non-white and LGBT authors. If you haven’t read them already, you probably won’t have time to do so before the deadline, but this may serve to remind you of titles beyond the familiar. As Becky says, “If every single one of [you] laid off of voting for the more mainstream titles and instead voted for a more diverse title, many of those mainstream titles would still get in, but maybe a few more marginalized voices would too.”
GalleyChatter: “Really fun, unique urban fantasy/postapoc blend with Indigenous characters & mythology!” —– ” a post-apocalyptic urban fantasy with a Navajo cast of characters.”
“Rebecca Roanhorse is an Ohkay Owingeh/Black writer of Indigenous futurisms. She lives in Northern New Mexico with her husband, daughter, and pug. Her debut novel Trail of Lightning(Book One of the Sixth World series) is available summer 2018 from Saga Press, and her children’s book Race to the Sunis coming in 2019 from Rick Riordan Presents. Her short story ‘Welcome to Your Authentic Indian Experience‘ is on the 2017 Nebula Recommended Reading List.
There There: A novel, Tommy Orange, PRH/Knopf, June 5, 2018, DRC available
GalleyChatter: “a story of urban indigenous peoples. Got a big push at #pla2018” — Following up on that, PRH Library tweeted that it is a department favorite.
The New Yorker recently published a story that comes from the book, and an interview, in which the author explaind that he wrote There, There because, “I knew I wanted to write a multigenerational, multivoiced novel about Native people living in Oakland. My wanting to write it largely had to do with there not already being a novel about Native people who live in cities, and very few novels set in Oakland. Native people suffer from poor representation as it is, but having little representation in literature, as well as no (literary) version of our (urban Native) experience, was what made me want to write into that space, that void, and try to honor and express fully all that it entails to be Native and be from Oakland.”
The Kiss Quotient, Helen Hoang, PRH/Berkley pbk original, June 5, 2018, DRC not listed
DEBUT Bustle headlines a story about the book, “The Kiss Quotient Is A Refreshing Own Voices Romance With A Heroine On The Autism Spectrum”
From the publisher:
“Key Selling Points
DEBUT AUTHOR who was discovered during Pitch Wars, an online contest with wide social media reach, where published authors match up with a mentee and work on pitch to catch an agent or editor’s eye; Helen was mentored by Brighton Walsh, a contemporary romance author published by Berkley and St. Martin’s Press
THE HEROINE HAS ASPERGER’S, as does the author, who is willing to discuss her personal experience
MULTICULTURAL CONTEMPORARY ROMANCE: hero is half Vietnamese and the author, who is also part Vietnamese, seamlessly introduces cultural elements
AN OWN VOICES NOVEL: romance readers are clamoring for better representation in romances and this book speaks to the #OwnVoices social media movement”
History of Violence: A Novel, Édouard Louis, Translated by Lorin Stein, Macmillan/FSG, June 19, 2018, DRC available
Gallleychatter: “…by the author of End of Eddy. Has a unique voice.”
From the publisher: “On Christmas Eve 2012, in Paris, the novelist Édouard Louis was raped and almost murdered by a man he had just met. This act of violence left Louis shattered; its aftermath made him a stranger to himself and sent him back to the village, the family, and the past he had sworn to leave behind.”
“Jordy Rosenberg is a transgender writer and scholar. He is an associate professor at the University of Massachusetts Amherst, where he teaches eighteenth-century literature and queer/trans theory. He has received fellowships and awards from the Marion and Jasper Whiting Foundation, the Ahmanson Foundation/J. Paul Getty Trust, the UCLA Center for 17th- and 18th-Century Studies, the Society for the Humanities at Cornell University, and the Clarion Foundation’s Science Fiction and Fantasy Writers’ Workshop. He is the author of a scholarly monograph, Critical Enthusiasm: Capital Accumulation and the Transformation of Religious Passion. He lives in New York City and Northampton, Massachusetts. Confessions of the Fox is his first novel.”
Ayiti, Roxane Gay, Grove/Atlantic, June 12, 2018, DRC available by request
Originally published in 2011 by the Artistically Declined Press, this new edition from Grove Press, according to the publisher, “includes several new stories,” which may qualify it for the LibraryReads list.
The Lost Vintage: A Novel, Ann Mah, HarperCollins/Morrow, June 19, 2018, DRC available
GalleyChatter comment, “Loved the LOST VINTAGE by Ann Mah- historical fiction with a mystery about a family member no one knew about, WWII & it’s set in a vineyard.”
Spotted on a photo of a stack of ARCs posted during the February’s YA/MG GalleyChat, is a new title by the author of the Morris Award finalist, Dear Martin. According to the ARC, Nic Stone’s second book Odd One Out is scheduled for release this fall, but there’s no information about it yet on retail or wholesale sites.
A few days after GalleyChat, the title was featured on a BuzzFeed list titled “Don’t Miss These Fantastic YA Books By Black Authors That Release This Year,” with the annotation, “The New York Times bestselling author of 2017’s Dear Martin pens another YA about three teens struggling through love, heartbreak, and the real deal. It sounds very diverse with both POC and LGBT representation, and we can’t wait to read it when it’s out in October! Pre-order links aren’t yet live for this one, but keep checking back here for future updates!”
In the ARC’s Author’s Note, Stone tells readers that she wrote this book because it is one she needed when she was twelve, before she realized the meaning of her “attractions to other women,” and marying her “dream man.”
Tell us about your latest discoveries (and make some of your own) during the next YA/MG GalleyChat on Monday, March 26th, 3 to 4 pm, ET (2:30 for virtual cocktails). #ewgcya