If you already felt it’s a long wait for Steven Spielberg’s movie adapation of Ready Player One by Ernest Cline (PRH/Crown), that wait just got longer.

Originally scheduled for release on Dec. 15 of next year, the date has now been moved to March 30. 2018, bumped by Star Wars Episode VIII.

Cline published a second book in the series, Armada, last July and has signed with Crown to write a third. Title and release date have not yet been announced.

The trade paperback edition of Armada will be released in April, with a new cover (called “kick-ass” by the author).

A couple of months ago, we wondered what had happened to the film adaptation of The Light Between Oceans, based on the long-running best seller by M.L. Stedman (S&S/ Scribner).

We just got our answer. Deadline reports it is scheduled for September 2nd, to take advantage of Labor Day weekend. Deadline suggests it may have been held back to save it for next year’s awards season. Both its stars are already up for Oscars this year, Michael Fassbender for Steve Jobs and Alicia Vikander for The Danish Girl.

Tie-ins:

The Light Between Oceans
M.L. Stedman, 8/30/16
Trade Paperback, (S&S/Scribner)
Mass Market, (S&S/Pocket Books)

For other adaptations in the works, check our Upcoming Adaptations list. For tie-ins, Upcoming — Tie-ins

Even as newest Star Wars film, The Force Awakens, continues to do well at the box office, more Star Wars books are on the way.

Of course, the novelization of the movie appeared in print after the movie’s release and immediately shot up best seller lists.

There are 30 or so years between the time periods of the movies Return of the Jedi and The Force Awakens, leaving plenty of time for writers to fill in. In September, Chuck Wendig published a bridge book, Star Wars: Aftermath, which debuted at #4 on the NYT Best Seller list in September.

The next title to watch is Star Wars: Bloodline by Claudia Gray (PRH/Del Rey/ LucasBooks; Random House Audio/BOT), coming in May.

The main character in Bloodline is Leia Organa and, unlike Aftermath, it is set closer to the time frame of The Force Awakens.

USA Today showcases the cover and posts an excerpt. Interviewing Gray, the paper reports that the novel tells the story of “how far Vader’s shadow falls” and how far Leia has come, “the role she’s created for herself since the fall of the Empire, and the one she takes up by the time of (The Force Awakens).”

Gray is no stranger to the Star Wars universe, having also written Lost Stars (Journey to Star Wars: The Force Awakens) (Hachette/Disney Lucasfilm Press; OverDrive Sample; Sept 2015).

The second in Wendig’s Star Wars trilogy, Life Debt: Aftermath, comes out in July.

You may not expect the NYT’s literary-focused Michiko Kakutani to begin a review with references to Gone Girl or The Girl With the Dragon Tattoo, although, as a fan of the Millennium series, she has shown an appreciation for psychological thrillers.

Yet, her take on Kate Hamer’s indie press debut, The Girl in the Red Coat (Melville House; HighBridge Audio; OverDrive Sample), begins with references to both titles and goes on to applaud Harner’s character development, saying she has a “keen understanding of her two central characters … Both emerge as individuals depicted with sympathy but also with unsparing emotional precision.”

Those keeping track will remember that was Kakutani’s key praise of The Girl With the Dragon Tattoo as well.

It’s receiving appreciation from other quarters as well.  Amazon picked it as one of their Best Books of February and as their Featured Debut of the month. It is a LibraryReads selection, with Kim Dorman of the Princeton Public Library, Princeton, NJ observing:

“There is not much more terrifying than losing your child. There’s the terror, the guilt, and then the relentless and unending chasm left behind by your child. I am grateful to not know that pain, and yet what Beth, the main character of this book, went through, resonated with me. I have had so many things on my to-do list, and yet I found myself delaying laundry and dusting and research so that I could find out how this story would unfold.”

It is showing solid holds in libraries we checked, performing strongly enough to be pushing against a 3:1 ratio.

Just as the book award season ends, the most anticipated list begin to appear, fueling TBR piles and driving up holds queues.

Now that a number of lists have appeared, we can assess which titles fared the best. Looking at seven of the most influential lists, fifteen titles received the most nods.

Spring 2016 Previews — downloadable spreadsheet

A caution, since it’s early in the year, most of the list-makers haven’t yet read these books (Entertainment Weekly makes this clear, headlining their list “25 books we can’t wait to read in 2016“), so they are based on buzz and author reputation, and are not guarantees of success. Also, most of the lists are by critics, so they tend to focus on literary titles and rarely include genre titles destined to become bestsellers.

Innocents and Others, Dana Spiotta (S&S/Scribner; Mar. 8) makes it onto five of the seven lists we checked, with Entertainment Weekly writing, “The Stone Arabia novelist’s anxiously awaited new work is about two best friends — both L.A. filmmakers — who tangle with a mysterious older woman who likes to seduce men over the phone.”

Alexander Chee’s The Queen of the Night (Houghton Mifflin Harcourt; Blackstone Audio) and Emma Cline’s The Girls (Random House; Random House Audio; June 14) fared well too, making five of the lists.

As we reported earlier, Chee’s book, published last week, has received significant review attention and is even one of those rarities, a literary author who appeared on a late night talk show.

Cline’s novel was picked as one of the featured titles in PW‘s “Booksellers Pick Their Top Early 2016 Books.” Unlike the critics’ list, which represent titles they expect to review, this one features titles booksellers expect to handsell. Kris Kleindienst of Left Bank Books in Saint Louis, Mo. remarks that Cline’s novel about a murderous cult in the late 1960s (think Charles Manson) offers a “creative use of a historical incident to build a story [that] stays with you.”

Other titles that made the top 15 include two that librarians have been talking about on GalleyChat.

The Nest, Cynthia D’Aprix Sweeney (HarperCollins/Ecco; Mar. 22) —  GALLEYCHATTER, November 2015, Winter Reading for 2016 Titles. Advance attention seems to doing the trick already, several libraries are developing holds queues.

Eligible: A Modern Retelling of Pride and Prejudice, Curtis Sittenfeld (Random House; April 19) —  GALLEYCHAT, December 2015, Eyes 2016 picks.

Seth Meyers continues his Late Night literary salon on Wednesday, featuring Alexander Chee.

The Queen of the Night (Houghton Mifflin Harcourt; Blackstone Audio) is Chee’s second novel (coming out over a decade after the Whiting Award–winning Edinburgh). It is set during the Second Empire and Belle Epoque Paris and features historic and fictional characters.

As Slate summarizes it, the novel’s main character is:

“Lilliet Berne, a clever, glamorous opera superstar … she sweeps into balls singing show-stopping arias to thunderous applause, yet never speaks a word in public. Lilliet is offered a role written specifically for her by an anonymous composer—an enormous compliment, until she realizes that the opera is based on her own shadowy past … Only four people know her true story, and it must have been one of them who betrayed her. As she hunts for each of the four in turn, she recounts the picaresque sequence of transformations that brought her to the pinnacle of Paris.”

Chee’s appearance follows a round of advance publicity. As we reported earlier, it is an IndieNext pick this month. It has also been selected as one of the year’s “most anticipated” novels by Bustle, Entertainment Weekly, FlavorWire, HuffPost, and The Millions.

NPR calls it “sprawling, soaring, bawdy and plotted like a fine embroidery,” and featured Chee on a recent Weekend Edition Saturday show.

Even Vogue has gotten in on the praise and featured Chee in an interview that highlights, in part, the novel’s lavish detail to the fashion of the era.

All the attention aside, in libraries we checked holds developing but few locales are topping a 3:1 ratio. Meyers may give the book the nudge it seems it still needs to break through.

On a buying spree at the Sundance Film Festival, Amazon acquired the buzzed-about Love and Friendship, based on an unfinished early novella by Jane Austen. Originally untitled, it was published in 1871, after Austen’s death, as Lady Susan. (available in several editions, including one from Penguin Classics). To make things more confusing, the movie uses the title of a different work by Austen, an early short story.

The movie is directed by Whit Stillman, described in an interview with Vanity Fair last week as “The cult director of contemporary and contemporary-ish Austen-inflected fare” (including Metropolitan and The last Days of Disco). It stars  Kate Beckinsale and Chloe Sevigny, with Xavier Samuel and Stephen Fry.

It will first be released in theaters, followed a month later by streaming via Amazon Prime. One source lists the release date as May 13.

The tie-in is written by the director:

Love & Friendship: In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated by Whit Stillman, (Hachette/Little, Brown).

The reviews of the screening at Sundance have been warm, as exemplified by those from Vanity Fair, “Love & Friendship: A Cream Puff of a Movie” and the Guardian, “Kate Beckinsale is a devious delight.”

Librarian Nancy Pearl sits down with Elizabeth Strout to talk about writing and reading in the latest episode of herr Book Lust author interview show for the local Seattle channel.

Strout, whose newest book is My Name Is Lucy Barton (Random House; Random House Audio/BOT; OverDrive Sample), says that writing for her is a long and messy process.

She begins by sketching out pieces of scenes, by hand, on paper, and moves them around on her desk until some shape starts to form.

She always searches for the voice of the character, never writes from beginning to end, and focuses on characterization always.

In fact, she says that, for her,  everything starts and ends with character, and that even a description of a setting makes her think about how a character would respond to seeing it.

Pearl and Strout end the conversation with a lovefest about Stewart O’Nan and his books they have both treasured, including West of Sunset (PRH/Viking, 2015) and Emily, Alone (PRH/Viking, 2011).

Of Strout’s books, Pearl urged readers especially to pick up Amy and Isabelle (Random House, 1998) as well as Olive Kitteridge (Random House, 2008).

The chat has now ended — read the transcript below.

To join First Flight and receive advance galleys of titles from debut authors, sign up here.

The editor-in-chief of the science fiction site io9.com, Charlie Jane Anders, is receiving critical attention for her new novel  All the Birds in the Sky (Macmillan/Tor Books; OverDrive Sample), which is an example of the rich possibilities along the crossroads of genre.

As we reported last week, it is a Feb. Indie Next pick. In addition praising the story, characters, and writing, reviewers say Anders is re-examining the genre.

The Los Angeles Times offers:

“[A] brilliant, cross-genre novel [that has all] the hallmarks of an instant classic. It’s a beautifully written, funny, tremendously moving … Like the work of other 21st century writers — Kelly Link and Lev Grossman come immediately to mind — All the Birds in the Sky serves as both a celebration of and corrective to the standard tropes of genre fiction.”

Cory Doctorow agrees, writing on Boing Boing that the novel is “smartass, soulful … everything you could ask for … a fresh look at science fiction’s most cherished memes, ruthlessly shredded and lovingly reassembled.”

The Guardian echoes those thoughts, saying that the novel “subverts genres … coming up with something greater than the sum of its parts … the result is a weird and charming read.”

Finally, Jason Heller, reviewing for NPR, says:

Anders has been writing with passion and insight about science fiction and fantasy for years — so it only makes sense that … she’s melded the two genres in a way that opens a profound, poetic new perspective on each … With All the Birds in the Sky, Anders has given us a fresh set of literary signposts — and a new bundle of emotional metaphors — for the 21st century, replacing the so many of the tired old ones. Oh, and she’s gently overturned genre fiction along the way.”

All the attention has yet to transfer into large hold queues but this is certainly a book to watch as award season comes around again.

Today on io9, in the essay “What It Means To Be a Science Fiction Writer in the Early 21st Century,” she describes how the process of writing the book led to her believe that “There is a huge opportunity, in 2016, for authors (and creators of all kinds) to scrape off the accumulated layers of meta from old story ideas—and to come up with brand new story ideas as well.”

Anders also recently gave a Harvard TedX presentation.

There’s no surer sign of the beginning of a new season than movement on the best seller list.

Two new titles land at #1 on the NYT Hardcover Fiction and Nonfiction best seller lists, breaking through titles that have dominated the top spot for weeks.

At #1 in nonfiction is one of our crystal ball titles, When Breath Becomes Air, (PRH/Random House; BOT; OverDrive Sample).

A young neurosurgeon’s account of facing his own death, it is followed at #2 by another new best seller, Pope Francis’s The Name of God Is Mercy (PRH/Random House).

In fiction, Elizabeth Stout’s latest, My Name Is Lucy Barton (Random House; Random House Audio/BOT; OverDrive Sample) breaks through to number one, moving The Girl on the Train down to #3, which has just completed over a year on the list, most of that time in the top five. At #4 is an even greater phenomenon, Anthony Doerr’s All the Light We Cannot See, on the list for 89 weeks.

Rave reviews and a storm of attention are helping Tessa Hadley’s newest novel wrack up impressive holds queues.

The Past (Harper; OverDrive Sample), is a character-centered novel about families.

Entertainment Weekly gives it an A-, saying:

“Hadley is so perceptive about the tiny ways we find ourselves performing for one another, and so skilled at fluidly dipping in and out of the minds of her characters—whether they’re 6 and wishing to spy on the grown-ups or 76 and considering the comforts of decades-long marriage—that it can feel like she’s revealing little secrets about life that it would have taken you years to notice on your own.”

Ron Charles writes in The Washington Post:

“… for anyone who cherishes Anne Tyler and Alice Munro, the book offers similar deep pleasures. Like those North American masters of the domestic realm, Hadley crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural.”

The Guardian flat out raves:

“In her patient, unobtrusive, almost self-effacing way, Tessa Hadley has become one of this country’s great contemporary novelists. She is equipped with an armoury of techniques and skills that may yet secure her a position as the greatest of them. Consider all the things she can do. She writes brilliantly about families and their capacity for splintering. She is a remarkable and sensuous noticer of the natural world. She handles the passing of time with a magician’s finesse. She is possessed of a psychological subtlety reminiscent of Henry James, and an ironic beadiness worthy of Jane Austen. To cap it all, she is dryly, deftly humorous. Is that enough to be going on with?”

It has made The Millions “Most Anticipated: The Great 2016 Book Preview,” The NY Magazine list of the “7 Books You Need to Read This January,” and The Huffpost Arts & Culture’s “32 New Books To Add to Your Shelf in 2016,” which says:

“Hadley’s popular reputation, especially in the U.S., hasn’t caught up with her critical one. But this novel, which uses her much-praised perceptiveness and her fine-brushed prose to tell a story of familial secrets and tensions, may help her break through.”

Indeed. Holds are exceeding a 3:1 ratio by wide margins at many libraries we checked.

To catch up with the book, listen to this interview with Hadley, which aired earlier in the month on NPR’s Weekend Edition Saturday.

In 2014 few Americans knew Italian author Elena Ferrante’s name, let alone the name of her English-language translator Ann Goldstein.

In a profile yesterday, The Wall Street Journal reports that Goldstein, who by day is chief of the New Yorker magazine’s copy department, often draws packed audiences at events where she stands in for the author, who does not make appearances.

Goldstein tells the WSJ that she became attracted to writing translations in typical copy editor fashion, because it focused her attention. “I liked it as a way of reading,” she said, “If you have to copy down every word of something, you become very close to it.”

Describing her take on translation, Goldstein says,

“Sometimes, I think, it’s puzzle-solving. I want to make good English sentences but without losing the particular voice of the Italian writer. I can’t explain how that happens. I think it has to do with staying pretty close to the original.”

“Her name on a book now is gold,” says Robert Weil, editor in chief of Norton’s Liveright imprint (she translated the imprint’s enormous Complete Works of Primo Levi). Her upcoming projects include Jhumpa Lahiri’s new memoir In Other Words (PRH/Knopf; BOT), which was composed in Italian when Lahiri moved to Italy and decided to write in that language, and Frantumaglia: Bits and Pieces of Uncertain Origin (Europa Editions) Ferrante’s upcoming collection of interviews, letters, and other writing.

Her fame will only grow if circulation is any measure. Libraries still have active holds queues on all four of Ferrante’s Neapolitan novels, (Europa Editions).

Goldstein discusses them in this New Yorker “Out Loud” podcast.

Called one of the “hottest titles” heading to this week’s Sundance Film Festival, rights to The Fundamentals of Caring may be nabbed by Netflix, according to The Hollywood Reporter, with theatrical rights still up for grabs (which can be tricky, since the major theatre chains refuse to book films that will be streamed simultaneously).

Based on the novel by Jonathan Evison, the movie title is shortened from the book’s, The Revised Fundamentals of Caregiving (Workman/Algonquin, 2012).

Starring Paul Rudd with Selena Gomez and Craig Roberts, the movie will be featured as the Closing Night Film.

The movie’s female star, Selena Gomez, has a separate Netflix deal in the works. She is set to executive produce a series based on Jay Asher’s 2007 YA novel, TH1RTEEN R3ASONS WHY (Penguin/RazorBill).

The Slate Audio Book Club is back, this time discussing Jonathan Franzen’s Purity (Macmillan/FSG; Macmillan Audio; OverDrive Sample).

Calling it a big, sweeping, Dickensian novel, the Slate critics, Meghan O’Rourke, Parul Sehgal, and Katy Waldman, jump into a conversation about the core of the novel and its message.

While the central character, a woman named Pip, should serve as the novel’s heart, all the participants agree that it is the mothers in the story that power its interest, saying that those characters offer a creepy sensibility that provides “a range of tones from horror to simmer” and become the most fascinating part of the story.

The group also discusses the portrayal of women and the ways the men operate in the novel, accusing  Franzen of failing the Bechdel;Wallace test.

Each ends up recommending the novel, despite clear flaws, saying they admire Franzen’s ambition and his ability to identify questions readers need to address. However, they say that this is not the book to start reading Franzen – for that they suggest The Corrections.

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Next month the book club will explore Lucia Berlin’s short-story collection A Manual for Cleaning Women, which was featured on a number of the year-end best books lists.