After stealing key scenes in Downton Abbey and wowing small girls in Cinderella, Lily James stars in one of the great epics of all time, Leo Tolstoy’s War and Peace. She takes up the role along side another familiar PBS face, James Norton from Grantchester.

The two help lead the newest BBC historical drama (in partnership with the US based Weinstein company), which is set to air in the US on January 18th on no less than three channels, A&E, Lifetime, and the History Channel.

Reaction to the sexy, violent, and lush drama has been mixed at best.

Here is The Guardian’s drooling take:

“This is proper, proper costume drama at its most lavish and its most dreamily, romantically Russian. This is how you do it, people. This is how you do it. Stop all period dramas being made now because nothing is going to match up to this. Sunday-night TV has been rescued. It’s hard to imagine how the BBC could have done a better job. It makes Downton Abbey look like am dram. It’s tonally perfect, striking exactly the right balance between drama and wit, action and emotion, passion and humour.”

On the other hand, in their preview, Flavorwire says:

“It’s hard to say whether American audiences will take to a literary miniseries comprising six one-and-a-half-hour episodes, but any low ratings won’t be for lack of celebrity or sex or war or incest … it’s Downton Abbey with war scenes, which should be enough to draw and retain an American viewership … Still, based on a single episode, it seems unlikely that this production of War and Peace will reach the heights of the 1966-67 Sergei Bondarchuk version, or the 1956 King Vidor adaptation starring Audrey Hepburn … Anyway, shouldn’t you be reading the book?”

Oddly, War and Peace: Tie-In Edition to Major New BBC Dramatisation, Leo Tolstoy, (BBC Books) is not due to be released until Feb. 23.

Hitting a completely different note, The 5th Wave is coming out on Jan. 22nd.

An alien invasion movie based on the novel by Rick Yancey, it stars Chloë Grace Moretz, Matthew Zuk, and Gabriela Lopez.

As we reported earlier, tie-ins came out in November. In addition, another book the series has been released, The Infinite Sea (Penguin YR/Putnam, 2014). A third book The Last Star (Penguin YR/Putnam) is due in late May.

Terry Gross interviews Elizabeth Strout about her newest book, My Name Is Lucy Barton (Random House; Random House Audio/BOT; OverDrive Sample), which was published yesterday.

As we noted earlier, Robert Redford is set to produce a series for HBO based on Strout’s previous book, The Burgess Boys.

Seth Meyers added a new episode to his “Late Night Literary Salon” by interviewing Sunil Yapa, the author of the just-released debut novel, Your Heart Is a Muscle the Size of a Fist (Hachette/Lee Boudreaux Books; OverDrive Sample) last night. Meyers, who has a personal interest in literature, hand picks the authors he wants to interview. Earlier, he’s featured novelists Hanya Yanagihara, Marlon James (before he won the Booker) and Lauren Groff.

Meyers and Yapa briefly discuss the novel’s story – one chaotic day during the 1999 World Trade Organization protests in Seattle – and then turn to Yapa’s childhood growing up with a father who is a “Marxist professor of geography.” A native of Sri Lanka, Yapa’s father first arrived in the U.S. in 1964 and was amazed by the crowds that greeted his plane. It turned out that the Beatles also happened to be on the same flight.

NOTE: if the video doesn’t play, link to it here.

In part two of the interview, Yapa reveals the heartbreak of losing his only draft of Your Heart Is a Muscle the Size of a Fist and having to completely rewrite it.

Yapa’s appearance has yet to boost sales or holds of the book, which is getting largely positive reviews.

The Washington Post‘s Ron Charles says it is a “taut …fantastic debut” that “arrives like a punch in the chest” and goes on to compare it Norman Mailer’s Armies of the Night.

The Rumpus says that “Yapa does a heroic job of journeying into the heart of this complex set of events, illustrating how they grow out of and impact the character’s lives. And while the heart may be the size of a fist, here it paradoxically seems to encompass the whole world and all of its citizens, who pulse with its every beat.”

Flavorwire offers “Your Heart is a Muscle The Size of a Fist is the rare contemporary novel about protest that has the courage to side with the protester — but does so skillfully enough to maintain its literary authority.”

As we reported earlier it is an IndieNext pick as well.

NPR’s reviewer Michael Schaub offers a very different take, however. In a pull-no-punches review, he says “Yapa isn’t an untalented writer, but he lets his writing get away from him way too often … After a while, it begins to feel like you’re getting lectured by a hippie professor who writes messages for fortune cookies on the side.”

Robert Redford is planning to adapt Elizabeth Strout’s The Burgess Boys (Random House; RH Audio; BOT) for an HBO miniseries according to Deadline Hollywood.

This is the second of Strout’s books to make it to the cable network, following the Emmy winning Olive Kitteridge.

Frances McDormand, who worked for years to get Olive made, produced that hit pavinf the way for Redford.

Strout’s newest book, My Name Is Lucy Barton (Random House; Random House Audio/BOT; OverDrive Sample), will be published on Tuesday.

See our Titles to Know and Recommend, Week of January 11, 2016 for more. Strout is scheduled to appear on NPR’s Fresh Air on Wednesday, Jan. 13.

No word yet on an air date for Burgess.

Laura Linney is in talks to star in an adaptation of The Dinner by Dutch author Herman Koch (RH/Hogarth), reports Deadline.

It was once reported that Cate Blanchett would direct, but it that chair will now be occupied by Oren Moverman.

A hit in Europe, the novel arrived in the U.S. in 2013 to predictions that it would be the next Gone Girl. Although it didn’t achieve that level, it sold well and was on the NYT Hardcover Fiction list for seven weeks, reaching a high of #7.

Linney has completed work on another book adaptation, Sully, based on Highest Duty by Chesley Sullenberger (HarperCollins/Morrow, 2009), who piloted an airplane to safety after its engines were  disabled by a bird strike.

Directed by Clint Eastwood, Tom Hanks will play Sully and Linney his wife. It is set for release some time in 2016.

Mary Gaitskill’s latest novel, The Mare (PRH/Pantheon; Blackstone Audio; OverDrive Sample), is gaining traction in libraries where holds are soaring as high as 7:1 on light ordering.

As we noted earlier this month, The Mare has been widely reviewed. Maureen Corrigan added yet another glowing review on yesterday’s Fresh Air,

“Mary Gaitskill writes tough … You have to write tough — and brilliantly — to pull off a novel like The Mare … a raw, beautiful story about love and mutual delusion, in which the fierce erotics of mother love and romantic love and even horse fever are swirled together.”

“An app-based novel that aspires to be the most bonkers book ever written.”

That is how BuzzFeed begins a very long profile about the newest project by Eli Horowitz, one of the driving forces behind the indie publishing house McSweeney’s.

Horowitz wants to change how books and reading are understood. His newest effort in that undertaking is The Pickle Index.

Unlike most books that might be described with a plot summary what really matters here is what The Pickle Index is.

As reviewer Carmen Machado describes it for NPR’s Arts & Life review, it is three books and an app.

One is a paperback illustrated with small black and white images: The Pickle Index (Macmillan/FSG Originals; OverDrive Sample).

There is also a hardcover two-book slipcase set edition with illustrations by Ian Huebert, that a la Brian Selznick, have strong story-telling power: The Pickle Index (Sudden Oak Books).

As Machado puts it,

“the illustrations in each [of the hardback volumes] encourage the reader to read the books back and forth, or at the very least turn and twirl the illustrations to see how they connect with, compliment, or contradict each other.”

If that were not enough, the hardcover books are not, as Machado describes, “simply the paperback with color” but are structured differently than the paperback.

Then there is the app, of which Machado says,

“is [a] different thing entirely, while still being more of the same … Once the reader has read the necessarily elements, they can progress through the story in real time, or with the narrative accelerated. Additionally, the app has one-off jokes and minor side plots — including two soldiers trapped in a submarine together, squabbling in the Q&A section. You, the reader, are also integrated into this frustrating world, and have to (among other things) manipulate the Index’s deliberately clunky interface.”

Lost? Horowitz describes it this way to Anne Helen Petersen of BuzzFeed:

“There are all these different ways that you can read that are valid, so I wanted to fully imagine all of those formats. So: the book-iest book I could do, and the app-iest app. Even the paperback, and the Kindle version. They’ll have their own sort of thing, with different reaches and different audiences.”

It might sound overly elaborate and precious, but Horowitz knows his stuff. He has worked with big-named authors including Dave Eggers, Miranda July, Michael Chabon, and Joyce Carol Oates and, says Petersen, “every book he’s written has been optioned for film or television: The New World, published in May, was optioned by Olivia Wilde; The Silent History, a digital app turned paperback from 2012, is slated to become AMC’s new prestige drama.”

There are plenty of people thinking about the future of the book. Horowitz is one of the most creative, telling BuzzFeed, “That’s why I made The Pickle Index in so many forms … To say there’s not a future; there are futures.”

Still wondering what the book is about? Petersen describes it as featuring “a delightfully unskilled circus troupe against the backdrop of a fascist dystopia, united by a forced devotion to fermented items.”

This is becoming a thing. Last night on The Late Show, Stephen Colbert had John Irving read him a bedtime story (last week, Jonathan Franzen did the honors). The source of the story is not identified, but it contains some familiar Irving themes, including bears, circuses, blood and endangered children.

Irving also got the opportunity to talk about his writing. He says his books play out worst case scenarios that are not  happily, based on his own life.

Irving’s 14th novel, Avenue of Mysteries (S&S) published yesterday, came under fire from New York Times reviewer Dwight Garner for just those pre-occupations, saying, “The things that for a while were magical in Mr. Irving’s writing long ago came to seem, instead, like tricks.”

Irving was also interviewed on NPR’s Morning Editon yesterday. Avenue of Mysteries rose overnight to #33 on Amazon’s sales ranking.

Tonight, Elizabeth Gilbert is scheduled to appear on The Late Show. She will be followed the next night by Norwegian memoirist Karl Ove Knausgaard, author of the 3,600-page, six-part autobiographical novel, My Struggle. We’re hoping the “modern-day Proust” gets the bed time story challenge.

The New York Times Magazine features Mary Gaitskill in a lengthy profile written by Parul Sehgal, an editor at The New York Times Book Review. It is online now and set for the Nov. 8 print edition.

Gaitskill just published a new novel, The Mare (PRH/Pantheon; Blackstone Audio; OverDrive Sample), and Sehgal says “she seemed jittery about its reception.”

Perhaps, as Sehgal goes on to point out, that is because:

“at first glance [the novel] feels out of place in her oeuvre … [it] doesn’t have the usual feel of Gaitskill’s fiction, the prickly wit and enveloping sanctuary, the lure of a dark bar on a hot day. It’s earnest and violently of the daylight, stuffed with squalling schoolchildren and focused less on missing connections than surviving them.”

Sehgal says that instead the novel:

“is a more expansive, more elaborately plotted story than we’ve come to expect from Gaitskill, and it’s not a book she ever wanted to write … What, after all, does she know of motherhood or writing from the point of view of a poor child of another race — let alone horses? But Gaitskill has always written from the margins, peering in: Feelings of exclusion and confusion powerfully motor her imagination. And in The Mare, in writing about race, poverty and family life, she has traveled to some of the farthest vistas of her career.”

The novel centers on Velvet, an 11-year-old Dominican-American girl from Crown Heights Brooklyn who is sent to the countryside to spend the summer with a childless white couple. It traces the complications and connections between her family, a horse, and the couple she stays with.

Reviewing for the NYT Dwight Garner was not blown away, saying “The Mare gallops, but on a closed track, not out there in the wild.”

Reviewing for the LA Times, author Elissa Schappell completely disagreed, writing:

“This is a coming-of-age story in the way we are always coming of age, whether we are 13 or 47. What elevates it is the way Gaitskill rides herd on sentimentality, which isn’t to suggest that the work isn’t emotional — it is. It’s just that there are no false notes, no stumbles in the rare moments of tenderness. It’s brave and bold to publish a book like this. Make no mistake: The women in this book, like Gaitskill herself, are mares.”

And booksellers like it, making it an Indie Next Pick for November:

“The Mare is the heart-wrenching story of a young inner-city girl in the Fresh Air Fund program who travels to a host family in upstate New York, where she befriends a frightened and abused racehorse at a nearby stable. Gaitskill navigates the ugly realities of both human and equine abuse, but, ultimately, this is a triumphant novel shaped by authentic characters and in which trust and determination win. Readers will be reminded of how our real-life connections with animals can both guide and heal.” —Nancy Scheemaker, Northshire Bookstore, Saratoga Springs, NY.

Gaitskill gets even more attention in Alexandra Schwartz’s profile for The New Yorker, “Uneasy Rider,”  online now and in print in the Nov.9 issue.

Last night two high profile authors got late night treatment.

Lauren Groff appeared on Late Night with Seth Meyers. She is in countdown mode for the Nov. 18 announcement of the National Book Award and is fresh off her Morning Edition Book Club appearance.

Meyers is proving to be a deft interviewer of authors. That may be because, as he revealed last night in a throwaway aside  he thinks of himself as a writer too, having been the head writer for Saturday Night Live.

The pair discuss Groff’s process, her stereoscopic approach to Fates and Furies, and writing sex scenes.

Jonathan Franzen starred in a skit on The Late Show with Stephen Colbert and sat down for a conversation as well.

The skit mocks Amazon through a bedtime story entitled “Little Read Reading Hood.” The US Department of Justice stars as the woodsman and there is a typical Colbert twist at the end.

The conversation, in which Colbert’s snark sometimes got the better of Franzen, ranged from Twitter to reading to football. Nevertheless, n the strength of his appearance, Purity rose on Amazon’s sales rankings, from 445 to 356.

The second installment of President Obama’s two-part interview with Marilynne Robinson is now online and will appear in the 11/19 issue of the New York Review of Books (also available in audio),

In it, Obama explains why novels are important to him, “when I think about how I understand my role as citizen, setting aside being president, and the most important set of understandings that I bring to that position of citizen, the most important stuff I’ve learned I think I’ve learned from novels.”

Robinson’s most recent novel is Lila (Macmillan/FSG; Macmillan Audio, 2014). A book of essays, The Givenness of Things, (Macmillan/FSG; Brilliance Audio) was published yesterday.

The third “meeting” of NPR’s Morning Edition Book Club was held today with Lauren Groff the author of  Fates and Furies (Penguin/Riverhead; BOT Audio; Overdrive Sample) fielding inquires about the story’s origins, character construction, her ambivalence about marriage, and female rage.

Author Richard Russo selected the book for the club saying, “The secrets here are character secrets, not plot secrets, and they are revealed in ways that sometimes take your breath away. You have to wait almost until the last page of the book to get to the last of the secrets.”

Groff said the novel was in part a chance to work out her uncertainty about being a wife, but admitted, “a novel does not answer any questions, it just raises a hundred other questions.”

Groff will appear on Late Night with Seth Meyers on Wednesday.

President Barack Obama turns his hand to book discussion, conducting an interview with Marilynne Robinson for a piece published in the 11/5 issue of The New York Review of Books.

The President reveals that he read Robinson’s second novel, Gilead when he was on the 2004 campaign. In it, he discovered one of his  “favorite characters in fiction,” the pastor John Ames, whom he describes as “gracious and courtly and a little bit confused about how to reconcile his faith with all the various travails that his family goes through.”

The two go on to discuss faith, religion, creativity, small town values, American optimism and pessimism, and the “us versus them” tendency of politics.

In a brief segment the President asks Robinson how she developed such a wide perspective growing up in a small rural location.

… how do you think you ended up thinking about democracy, writing, faith the way you do? How did that experience of growing up in a pretty small place in Idaho, which might have led you in an entirely different direction—how did you end up here, Marilynne? What happened? Was it libraries?

Robinson’s immediately answers, “It was libraries.”

The conversation takes place in two parts. The first is available now and the second will be posted in the next issue. A free audio recording of the interview is available via iTunes.

Last month, NPR’s Morning Edition Book Club announced their third pick, Lauren Groff’s Fates and Furies (Penguin/Riverhead), helping to propel it on to best seller lists. In two weeks the NPR show will host a conversation with the author.

In a short tee up to the discussion, the hosts of Morning Edition say the novel as a “story of a marriage in two parts” as both the wife and the husband have their due.

Groff quickly pushes back against that summary, saying “It’s not a book about marriage.”

Rather, she explains, marriage is how she talks about larger ideas concerning creativity, sex, time, and rage. She says marriage becomes a vehicle to dig into some of the things she resisted about the institution, and did not know she resisted, until she spent five years working on the novel.

Readers are invited to submit a smartphone voice memo. Groff will answer some of the queries on Morning Edition.

Fates and Furies is on the National Book Awards longst for fiction; the shortlist will be announced tomorrow.

There’s been some major changes on the film adaptation of Kevin Powers’ 2012 National Book Award finalist, The Yellow Birds, (Hachette/Little, Brown). Benedict Cumberbatch, originally set to play the lead, has been replaced by Jack Huston, reports Deadline. The film also has a new director, Alexandre Moors, who replaces David Lowery.

Bringing some extra star power to the production, Jennifer Anniston is joining the cast.

All this activity indicates the project is closer to becoming a reality.