The Sundance Film Festival ends this weekend and many of you may have figured out that the unifying theme of our book display challenge is “Books at Sundance,” the movies based on books that premiered at the festival.

Apparently, our contest was too obscure; nobody came up with the correct answer by Monday’s deadline. Many were partially right, that all the books are the basis for movies, but nobody caught the crucial timely element, that they will all be shown at Sundance. We are awarding some winners, nonetheless, who will receive copies of the coveted print galley of Rainbow Rowell’s forthcoming book, Landline (Macmillan/St. Martin’s Press). If you didn’t win, you can comfort yourself by downloading the egalley.

How are the films doing with critics? Jamie Marks is Dead, based on One for Sorrow received a mixed review from Variety; Life Itself, based on Roger Ebert’s memoir, is called “enthralling” by Entertainment Weekly; Low Down, about a noted jazz pianist, fared well with Variety‘s reviewer, but less so with The Hollywood Reporter‘s; White Bird in a Blizzard is called a “sci-fi sex romp” by The Guardian; garnering the most attention is Philip Seymour Hoffman’s portrayal of a spy in A Most Wanted Man.

U. S. theatrical releases dates have not been announced for any of the films.

Life Itself, Roger Ebert   One for Sorrow   Low Down

 A Most Wanted Man   White Bird in A Blizzard

Titles (links are to WorldCat)

Life Itself, Roger Ebert, Hachette/Grand Central, 2011

One for Sorrow, Christopher Barzak, Bantam Books, 2007

Low Down: Junk, Jazz, and Other Fairy Tales From Childhood, A.J. Albany, Bloomsbury/Tin House, 2003

A Most Wanted Man, John le Carré, S&S/Scribner, 2008

White Bird in a Blizzard, Laura Kasischke, Hyperion, 1999

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