Christopher Bollen’s second novel, Orient (Harper; HarperCollins and Blackstone Audio; OverDrive Sample) “might well be this summer’s most ambitious thriller or this summer’s most thrilling work of literary fiction” according to author Ivy Pachoda in her glowing LA Times review of Bollen’s second novel.
It is a review with plenty of juicy quotable lines for readers’ advisors to reference – especially when working with patrons who like their crime novels filled with high body counts and a thrumming sense of place.
And Pachoda knows a thing or two about capturing a strong sense of locale — she did it in her book Visitation Street (HarperCollins/Ecco; OverDrive Sample), set in Red Hook, Brooklyn. In her review of Orient she clearly appreciates a fellow author who is able to create a similar vibrant evocation of place, saying:
The Orient of Bollen’s novel is of course Orient Point, the town at the eastern-most tip of Long Island’s less fashionable North Fork — think Gatsby’s West Egg to Daisy’s East Egg — which has so far resisted the Ralph Lauren and McMansion uprising of the Hamptons to the south. But the artists are coming, scooping up pricy shorefront properties, gutting the charming homes, bringing their cavalier city ways and transforming the quaint town as they see fit.
Her quotes just get better, ending with this summary:
There’s a smorgasbord of delights in Orient, from its murderous plot to the cheeky fun Bollen has at the expense of the art world. And there is ample room in this expansive novel for surprisingly soulful descriptions of everything from the intricacies of beekeeping to the beauty of deer hunting. Most impressive is how Bollen’s book is rich in literary diversions, moments of keen sociological and emotional insight — often into personal isolation — that transcend the conventions of its story.
Pachoda is not alone in her admiration. USA Today offers another quotable line:
… a gorgeously written book whose literary chops are beyond doubt. Come for the prose, and stay for the murders.