The advance readers copy of Anthony Horowitz’s Moriarty (Harper, 12/9/14) accidentally includes some testy exchanges. The New York Times details a few of them in yesterday’s Arts Beat blog, adding, that, although amusing, “It is no big deal: Mr. Horowitz did not use unsavory language, abuse the copy editors, or expose some fantastic dispute between himself and his publishers. At most, there is firm authorial pushback. ”
Wendy Bartlett, head of collection development at Cuyahoga P.L, Ohio, got her hands on a galley. She also found the copy editing comments hilarious, but, as she says in a readers advisory to the branch staff, there are many more reasons to read it:
Anthony Horowitz has held young thriller fans in thrall with his popular Alex Rider series for a long time. He’s also turned his considerable talents to adult books and to one of my favorites — the Conan Doyle/Sherlock Holmes canon. If you missed it, 2011’s The House of Silk was his first effort at a Holmesian mystery, and it was first rate. It would still be a superb recommend for your traditional mystery fans.
This year, he’s back with Moriarity. I was very much hoping he’d assume Watson’s voice again, but he’s done things very differently in this book. First of all, it opens at Reichenbach Falls, and we all know what happened there. I have to admit, I felt a bit cheated by the denouement, which he seems to spring on the reader, with few clues leading up to it. It is, nonetheless, a terrific read.