The book on many a comics readers’ mind in the next few weeks (and maybe all year) will be Scott McCloud’s The Sculptor (Macmillan/First Second, Feb. 3), a massive 496 page graphic novel that Cory Doctorow called McCloud’s “magnum opus” back in April. Due out on February 3rd, it is the story of a washed up young artist who makes a deal with Death to create art that will be remembered – but he only gets to live 200 days to do so.
The comic book scene is buzzing with anticipation and Entertainment Weekly listed it as one of the “20 Books We’ll Read in 2015.” For advisors who need a bit of backstory, McCloud is a writer/artist that readers treasure for his nonfiction books (drawn, of course) explaining how comics work (Understanding Comics, Reinventing Comics, and Making Comics – all published by William Morrow). The Sculptor is his first graphic novel in over a decade and follows in the wake of his cult favorite title Zot! (which HarperCollins reprinted in 2008). McCloud discussed creating the book, which took five years, in USA Today last June, sharing that he wanted to make a book that was “an engrossing read — a page-turner from beginning to end.”
Macmillan offers a look at McCloud’s innovative page design, use of perspective, and his color palette of pale blues and deep blacks. First Second provides more images as well as a glimpse of the cover and the spine – showing just how big a book The Sculptor is.
Many libraries have yet to order it, in spite of glowing reviews and stars from library trade journals and the long-simmering publicity.