THE MINIATURIST To Screen

9780062306814_f3fe5BBC One is adapting a 2014 LibraryRead’s pick, Jessie Burton’s debut novel, The Miniaturist (HarperCollins/Ecco; HarperLuxe; HarperAudio; OverDrive Sample), reports Deadline Hollywood.

The planned three-part mini-series is in the works for 2017. No specific start date or stars have yet been confirmed.

Burton’s book did very well in the UK. Radio Times reports it was “one of the fastest selling debut novels in a decade, shifting more than a million copies in 37 countries.” It won Waterstone’s Book of the Year (one of the UK’s biggest bookstore chains), the UK National Book Awards New Writer of the Year, the UK National Book Awards Overall Book of the Year, and The Observer‘s Book of the Year, which said “The writing is fluid and addictive and the story grows out of the most irritatingly brilliant idea imaginable.”

Burton said in a press release “It’s an almost indescribable thrill to know the characters and story I invented in The Miniaturist are going to be given a new life in such an exciting way. John Brownlow’s script is perfect. Short of actually being published, it’s the best news I’ve ever had.” (Brownlow wrote the screenplay for the Gwyneth Paltrow vehicle about Sylvia Plath and Ted Hughes, Ted and Sylvia, aka Sylvia).

Posting on Twitter Buton was less restrained.

Stateside, Entertainment Weekly gave the novel an A-, writing “The Miniaturist is one of the year’s most hyped novels, and it’s easy to see why.” The Wall Street Journal ran a feature on the book (subscription may be required). Kirkus gave it a starred review, writing “With its oblique storytelling, crescendo of female empowerment and wrenching ending, this novel establishes Burton as a fresh and impressive voice; book groups in particular will relish it.”

Need a refresher on the plot? Elizabeth Angelastro of Manlius Library, Manlius, NY provided the LibraryReads annotation:

“A dollhouse whose figures and furnishings foretell life events, mysterious notes, family secrets and the powerful guild and church of 1686 Amsterdam. All these elements combine for an engaging story of a young bride’s struggle to be the ‘architect of her own fortune.’”

The executive producer for the BBC show said to think of the novel as “Wolf Hall meets Tulip Fever.”

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